[PDF.13ts] The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942
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The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942
Lea Jacobs
[PDF.tg40] The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942
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| #1566340 in Books | 1997-06-01 | Original language:English | PDF # 1 | 9.02 x.50 x5.98l,.79 | File type: PDF | 220 pages||20 of 22 people found the following review helpful.| How censorship REALLY worked|By A Customer|If you're going to criticize a book, it is helpful if you 1)understand the argument of the book; and 2) understand how the author goes about making that argument. Every critcism that the reader from LA makes about this book reveals the reader's own ignorance. LA Reader either ignores the fact that Jacobs has consulted over 100 c|From Publishers Weekly|Jacobs, an assistant professor of communication arts at the University of Wisconsin, presents a well-researched examination of the ways in which the Production Code strictures of Hollywood's depiction of sex contributed to the screen const
The story of the fallen woman was a staple of film melodrama in the late 1920s and 1930s. In traditional plots, a woman commits a sexual transgression, usually adultery. She becomes an outcast, often a prostitute, suffering humiliations that culminate in her death. In more modern variants, the heroine is a stereotypical "kept woman," "gold digger," or wisecracking shopgirl who uses men to become rich. In The Wages of Sin, Lea Jacobs uses the fallen woman film...
You can specify the type of files you want, for your gadget.The Wages of Sin: Censorship and the Fallen Woman Film, 1928-1942 | Lea Jacobs. I really enjoyed this book and have already told so many people about it!
