[PDF.51uy] At the Crossroads: Diego Rivera and his Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)
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At the Crossroads: Diego Rivera and his Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)
Catha Paquette
[PDF.ho58] At the Crossroads: Diego Rivera and his Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)
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| #1550852 in Books | 2017-01-24 | Original language:English | 10.00 x1.00 x7.00l,1.50 | File type: PDF | 360 pages|||""
"The commissioning and censorship of Rivera by the Rockefellers in the 1930s is a well-known episode in American art history, and much has been written about it. And yet, the story has become somewhat simplistic. Paquette’s book enriches th
Collaborations during the Great Depression between the Mexican artist and Communist activist Diego Rivera and institutions in the United States and Mexico were fraught with risk, as the artist occasionally deviated from course, serving and then subverting his patrons. Catha Paquette investigates controversies surrounding Rivera’s retrospective at the Museum of Modern Art in New York City, his Rockefeller Center mural Man at the Crossroads, and the Mexican...
You can specify the type of files you want, for your device.At the Crossroads: Diego Rivera and his Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture) | Catha Paquette.Not only was the story interesting, engaging and relatable, it also teaches lessons.